The New York Classical Theatre has produced a energetic Cymbeline this season. There may be some controversy over the categorization of the play itself (many say “romance”), however NY Classical leaned into the comedy for a manufacturing that the viewers can totally take pleasure in.
Christian Ryan (Iachimo) portrayed precisely the frenemy of Posthumus who would wager on a lady’s immorality, and Evan Moore-Coll (Cloten) executed the bumbling fool wondrously. Arguably essentially the most placing side of the manufacturing is the vocal high quality of all the solid. Every of the actors boasts an extremely well-trained voice—a voice that’s, frankly, a downright pleasure to listen to for the size of the manufacturing (roughly 1 hour and 45 minutes). Kudos to Voice & Speech Coach Cynthia Santos-DeCure!
That mentioned, every actor delivered their strains with virtually the identical intonation and variety of stresses. At occasions, this took a few of the life out of the strains. The actors delivered their strains with an incredible sense of play with the viewers; nonetheless, total scenes felt like [aside] moments as a result of the actors interacted extra with the viewers than with one another.
With the solid comprised of seven members, six have been solid in a number of roles. The transitions between characters have been clean and suave, particularly these of actor Terrell Wheeler (Pisanio/Caius Lucius). Wheeler’s impartial grace in the course of the costume adjustments, and his portrayal of every character, distinct in physicality and voice, have been the marks of an professional. Nevertheless, some transitions too so clean for their very own good: for instance, one actor (Brandon Burk) portraying each Posthumus and Guiderius may simply be complicated.
NY Classical’s exhibits happen in parks round New York Metropolis, and the actors are well-versed in interacting with their environment. For instance, bushes impressed the actors’ bodily comedy, and the East River sparked a joke very well-received by the viewers. Cymbeline was notably well-suited to the park setting. Among the many bushes, something pure or mysterious can happen, from sword-fighting to a shock look from Jove.
NY Classical was true to their title: this was a classical manufacturing of Shakespeare. With many productions selecting to set Shakespeare elsewhere and time intervals (a selection which has its deserves), it’s notably satisfying to see Shakespeare’s textual content in its pure habitat.
Cymbeline is a reasonably area of interest selection, and director Stephen Burdman was up for the problem: the manufacturing was distinctive and pleasing. And, as soon as once more, what a pleasure to listen to such mellifluous voices!
|picture credit score: NY Classical|